mersiowsky - 10-6-2016 at 10:47 AM
Lětopis Abstract 2012 2: Hose, Susanne: „Serbow dobyća.“ The Dispute About the “Authenticity” of a Sorbian Folksong
Two opposing views published in “Lětopis” (Mětšk 1961, Raupp 1967) draw attention to an academic dispute, which has caused vehement
arguments amongst Sorbian scholars, about research into the “true” age of the epic tradition amongst the Western Slavs. Investigations at the
Institute for Sorbian Ethnic Research also contributed to this debate. Frido Mětšk declared 1956 the Lower Sorbian war song “Naše golcy z
wójny jědu” to be the oldest obvious example of Sorbian folk literature in the Middle Ages. His conclusion was confirmed by Jan Rawp’s
investigations (1957). Wolfgang Gesemann, who taught Slavonic Studies in Mainz, disputed the “authenticity” of the song “Serbow dobyća,”
which is described in the “Pjesnički” (Haupt/Smoler 1841/43), as presumably having its origins in “the battles of the Wends against the
Germans, perhaps in the time of Bolesław Chrobry.” Because Gesemann was not able to answer his own queries satisfactorily, he passed them on to
the research centres in Bautzen, Leipzig and Prague with a piece of advice about methodology, namely that they should investigate the life of the
famous collector of folk songs, Jan Arnošt Smoler, and his links with Václav Hanka, the discoverer of the Königinhofer and Grünberger manuscripts,
which were so important for the Czech national renaissance.
What is the purpose of our interest in the wealth of epic songs? Cultural researchers into narrative forms are rightly skeptical when dealing with the
question of allegedly unbroken oral traditions stretching over centuries and the label “authentic.” The practice of repeated copying, translation and
linguistic matching in itself only strengthens these doubts. The author analyses the origins of the myth of an “ancient” epic tradition by addressing
the motivation of those who collected and edited the songs, fairy stories and legends, etc. up to the present day.